| Three
men are disenchanted with life and try to recapture their college
days.[TRAILER]
STEVEN
SNYDER'S REVIEW
Director
Todd Phillips (“Road
Trip”) and the other creators of “Old School” likely
thought they were bringing a creative twist to the dumb, gross-out,
frat film genre. Take some thirty-somethings who miss the crazy days
of their youth, send them back to a college in hopes of starting
up a fraternity, and watch the humor erupt from this fish-out-of-water
situation.
But early on, the premise’s flaws are exposed. There is something just
assumed about college boys and the craziness that they will get into (the phrase “boys
will be boys” comes to mind). But with these older family men, something
substantial is missing that limits the humor of the equation.
Mitch (Luke Wilson), Frank (Will Ferrell) and Beanie (Vince Vaughn) are three
college friends who feel as if their lives have become the mundane routine they
always feared. Frank has just gotten married. Beanie has a wife and a child.
And when Mitch buys an old house on the campus of their alma mater, both Frank
and Beanie decide it is time to throw some excitement back into their lives.
They establish a fraternity, throw the kind of parties that only seem to exist
in the movies, and are attacked by an angry dean who used to be their alienated
classmate. Yep, in many ways, this is more of an honest tribute to the crazy
days of “Animal House” than other recent gross-out college comedies
like “American Pie.”
“Old School” is at its best when focusing on Frank, played by Will
Ferrell. Ferrell has the comic timing and the explosive physical humor reminiscent
of “Animal House’s” John Belushi, and he has that twinkle of
immaturity in his eyes that connects with the audience in films like this. About
the time he shoots himself in the neck with animal tranquilizers, Farrell has
set himself apart as the winner of this mediocre comedy.
But between the scenes of binge drinking, naked women, blow-up dolls and streaking, “Old
School’s” sophomoric characters suddenly grow up, and one cannot
help but be distracted by their real life alter-egos.
Frank may be funny when he parties, but his antics lead to a divorce with his
wife. Beanie actually brings his toddler to the house, telling him to “earmuff
it” when men swear. Yes, it is funny to watch the little kid cover his
ears, but why isn’t he in school, or at home? In an R-rated film that won’t
admit children, I must admit I was a bit concerned about the messages Beanie
was sending to his young child.
In perhaps the film’s poorest decision, Mitch wakes up after one exciting
party with a woman lying next to him in bed. She gets up, says she has to go
to school, and kisses him on the cheek. Later Mitch realizes “school” does
not refer to college, but to high school, and this girl is in fact the teenager
daughter of his boss.
It may be funny at first, but events like this raise other issues. These are
not just immature sophomores in college. They should know better, and exhibit
some level of restraint. When Frank streaks, yes it is hilarious, but it is also
just a bit out-of-place for a man his age.
Frat films, and all college films for that matter, capture a time when caution
was thrown to the wind and when the unpredictable crazy college nights were among
the best of most people’s lives. Many enjoy reliving those crazy days and
that insane storm of carelessness.
But these are men, not boys, and instead of looking cool, they look foolish.
In “Old School,” while many scenes work, there are so many others
that feel, well, wrong. College has its time and place, and I think most people
realize that, after graduation, life goes on to some degree. The film feels like
a stretch because these characters feel like a stretch. They’re trying
to cling to emotions and times in such a fashion that they appear desperate.
Mitch, in several moments, even says he is above the non-stop antics of Frank
and Beanie.
If seen with a group of friends, “Old School” will have its charms.
It is naughty, vulgar, and often crosses the line of good taste. For lovers of
the genre, it follows the road so often traveled.
Upon subsequent viewings, it is clearly a weak film built around a poor premise.
It would be fun to think that we could always return to the crazy days of our
youth. But at a certain point, shouldn’t grown men actually desire a wife
and family enough to not constantly run away from them?
 
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