Master and Commander: The Far Side of the World

Directed By: Peter Weir

Written By: Peter Weir & John Collee (screenplay)
Patrick O'Brian (novels)

Starring: Russell Crowe, Paul Bettany, James D'Arcy

Plot Summary - Review 1 - Review 2 - CURRENT REVIEWS
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Ship Surgeon Stephen Maturin (Bettany) and Navy Capt. Jack Aubrey (Crowe) sail out to see the richness and strangeness of life on the far side of the world, against the backdrop of Napoleonic Wars. [TRAILER]


STEVEN SNYDER'S REVIEW

Do not take the star rating of this film at face value. “Master & Commander: The Far Side of the World” is not brilliant, that much is sure, but while occasional flaws prevent it from sailing into four-star territory, there is plenty of exceptional work to appreciate in this thunderous sea epic.

Let’s start with Russell Crowe. Without question one of the finest leading male actors today, Crowe creates and maintains the rock solid foundation of this movie. He again proves his versatility, clearly deserving a fourth Oscar nomination for his portrayal of Captain Jack Aubrey.

The movie starts with a surprise attack – the more dominant French warship Acheron surprising Aubrey and his inferior vessel. Barely escaping with his life, Aubrey heads south for repairs, returning later to not only exact revenge for the sneak attack, but to take home his overwhelming adversary as a prize for the British fleet.

Aubrey is the fearless and inspirational leader of the HMS Surprise, and Crowe brings to this legendary character an air of instant credibility. Through Crowe’s passionate outbursts we believe this story of a David overcoming a Goliath, and buy into his crew of devoted men who would go with “Lucky Jack” to the end of the world and back. Thanks to Crowe’s careful poise and control, we believe in his humanity, and instantly relate to all those who surround him.

This is the true focus of “Master & Commander:” a carefully-measured character study of the fascinating Aubrey.

Dissecting the film, each section serves to add to Aubrey’s character. The surprise attacks expose a brilliant captain as a defeated man. The repairs phase depicts a captain overcoming adversity and calming the rattled nerves of his crew. And the climactic battle, which brings two 19th century warships within yards of each other, shows a courageous warrior who backs up his noble proclamations with action.

The other characters in the film exist primarily to give Aubrey depth and balance. Stephen Maturin (Paul Bettany) is the ship’s doctor, Aubrey’s friend, and the only character to question Aubrey’s zeal in returning to fight a more powerful enemy. There is a young child on board (Max Pirkis) who brings out Aubrey’s sweet side and the death of a weak officer which brings out Aubrey’s emotional side.

As Crowe works his magic in front of the camera, a meticulous production is at work beneath the surface. Everything in the movie is executed with the utmost care. The set design, using real boats and intricate sets accurate down to the silverware, are completely convincing. The costumes are wholly authentic. The challenging sound design draws the viewer in to this violent, but desolate existence. And enough cannot be said about the production’s special effects, which easily rival those of the “Matrix” films. Using a mix of models and computer renderings, “Master & Commander” is authentic, realistic storytelling.

So it is that this sea-faring epic is a believable experience. In fact, director Peter Weir (“The Truman Show”) goes to great lengths to create distinct impressions of place and atmosphere. One of the very first shots watches as the first crews of the day climb up their ropes to their positions in the sails. Against a silent sunrise at sea, it is a soothing moment of calm before the storm.

Despite this focus on realism, the film does make a crucial mistake. I mentioned above the effort expended in giving Aubrey breadth and depth, but in the movie’s final third this overbearing focus on Aubrey’s personality and friendships begins to wear down the story.

“ Master & Commander” is unique in its thorough recreation of what life on board a war ship must have been like, and what would make one of these legendary commanders tick. It is unfortunate when the film starts to become an aimless soap opera.

About halfway through, I had completely bought into these officers and the scope of their mission, and even I knew that with an enemy ship in sight, a commander like Aubrey would never realistically abandon his orders to take care of personal affairs.


 

 




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