| Okwe,
a kind-hearted Nigerian doctor, and Senay, a Turkish chambermaid,
work at the same West London hotel. The hotel is run by Senor
Sneaky and is the sort of place where dirty business like drug
dealing and prostitution takes place. However, when Okwe finds
a human heart in one of the toilets, he uncovers something far
more sinister than just a common crime. [TRAILER]
STEVEN
SNYDER'S REVIEW
There
seems to be one film a year like “Dirty Pretty Things,” which rises out of the unknown
to capture people’s attentions. It is not an easy work to pigeon-hole.
In fact, its greatest weakness at the box office and in the annual
awards race is its defiance of genre. This is not a romance, a thriller
or an action film, and even writing a review of it, I do not know
exactly how to classify it.
So, how about this: It’s just a damn good movie. It is entertaining
in both terms of characters and plot, and is one of the few non-romantic
films this
year to make a complete story arc work from beginning to end.
Okwe (Chiwetel Ejiofor) and Senay (Audrey Tautou) work in a London hotel. They
are illegal immigrants, and are paid in cash. Okwe is the night watchman, sitting
at the front desk through the silent hours of the night and then moving on to
his day job as a cabbie. He does not sleep, but rather ingests a strange herb
which gives him the energy to stay awake permanently. Senay is a maid who allows
Okwe to sleep on her couch during the day, and is the epitome of a shy and reclusive
girl.
Given what happens, Senay may have the right kind of personality. Not allowed
to hold down a job, the government soon cracks down on Senay’s employment
and she must go underground to stay in the country. She gets a job at a corrupt
garment sweatshop, just as Okwe uncovers a most shocking item clogging the toilet
of a guest’s room.
What ensues is fascinating to watch, but I will not divulge it here. Let’s
just say that Okwe comes face-to-face with a sinister industry that preys off
the desperation of illegal immigrants – an industry which soon sets its
sight on the hopeless Senay. There is an unspoken affection between Okwe and
Senay, and this culminates in a final scene where Okwe goes against all his ethical
inclinations to save Senay’s life.
“Dirty Pretty Things” is a movie that may seem all over the map,
but it never wanders at the expense of its characters. Whether showing their
work life, their personal life, their despair or their later scenes while involved
in corrupt business transactions, everything adds to who these people are and
why they tick.
This is why “Things” sticks with us, why it feels alive and why even
the most absurd plot twist seems perfectly natural. And rather than seeing its
lack of a genre as a bad thing, I instead think of it as the film’s greatest
attribute. We never once know what to expect.
   
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