| Bruce
Nolan (Carrey), a television reporter in Buffalo, N.Y.,is discontented
with almost everything in life despite his popularity and the
love of his girlfriend, Grace (Aniston) . At the end of the worst
day of his life, Bruce angrily ridicules and rages against God
and God responds. God appears in human form (Freeman) and, endowing
Bruce with divine powers, challenges Bruce to take on the big
job to see if he can do it any better. [TRAILER]
STEVEN
SNYDER'S REVIEW
Jim
Carrey, after a long string of unrecognized dramatic performances,
has now returned to more of what made him famous – manic
physical comedy!
In “Bruce Almighty,” he plays Bruce Nolan, an annoyed television
newsperson who, on his worst day, blames God for his many pains. In response,
Bruce finds himself face-to-face with God (Morgan Freeman), a rather convincing,
if aloof, deity who says that Bruce can have his chance at running things. He
is given all of God’s powers and wished the best of luck.
Yet, when Bruce starts exercising his powers, he is exposed for the selfish,
self-absorbed person he really is. Giving in to drives for revenge and self-promotion,
Bruce gets everything he wants, only to realize later the profound cost that
accompanies his unabashed greed.
In the film’s final act, which will surely divide audiences, Bruce finds
his relationship with Grace (Jennifer Aniston) threatened and attempts to use
his powers to win her back. But only after a lengthy moral lesson from God can
the film arrive at its predetermined happy ending.
Is “Bruce Almighty” a monumental cinematic achievement? I think we
know the answer to that one already – not in a long shot. But, I’ll
admit, I was impressed. I have not laughed this hard at a comedy in a long time,
and several scenes that aimed for the gut had me wiping tears from my eyes.
Carrey is perfect. His comedic skills seem to parallel Robin William’s
in that, even in the hokiest of situations, he seems fully committed and able
to send an audience into a fit. He may not have the best script to work with,
may not have the chemistry of the Monty Python troupe or the Mel Brooks comedy
machine, but he commits himself fully to a scene and delivers more than he misses.
In this regard, Carrey’s return here to comedy is a triumph. He still has
what he possessed in “Ace Ventura: Pet Detective,” (also directed
by “Almighty” director Tom Shadyac) the cheap B-film that launched
his career.
The problematic third act, in which “Almighty” gets serious, is questionable
due to an absurd kink in the story. Bruce and Grace’s relationship gets
rocky because Bruce kisses another woman. But the scene in which this occurs
is so random that it seems all but implausible. It is obviously a moment in the
script devised to create conflict and, from this point forward, the serious tone
of “Almighty” seems, at the very least, forced.
If Grace had been driven away for another reason, or had questioned the future
of the relationship, I think the ending of the film would have worked flawlessly.
As it stands now, it is surprisingly touching, albeit watered down.
But let’s give credit where credit is due. With this final collage of Carrey’s
successful physical humor, a workable script that gives the comedian something
to work with and – surprise, surprise – a few moments of real emotion, ‘Bruce
Almighty” is quite a pleasure indeed.
How’s this for rare: It’s a Hollywood comedy I’d like to see
again.
  
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