The
Marks family is a tightly-knit quartet of women. Jane is the affluent
matriarch whose 3 daughters seem to have nothing in common except
for a peculiar sort of idealism. Setting the tone of vanity and
insecurity, Jane is undergoing cosmetic surgery to alter her figure,
but serious complications put her health in real danger. Former
homecoming queen Michelle, the eldest daughter, has one daughter
of her own and an alienated, unsupportive husband. Elizabeth, the
middle sister, has an acting career that is beginning to take off,
but is timid and insecure, and habitually relieves her trepidation
by taking in stray dogs. Only the youngest sister, Annie, an adopted
African American 8-year-old, stands a chance of avoiding the family
legacy of anxious self-absorption. If only her intelligence and
curiosity will see her through what promises to be a confusing adolescence.
Each of the women seeks redemption in her own haphazard way.
Lovely
and Amazing is simply put lovely and amazing. Ah, isn’t that
wonderful, now if only some studio will put Zertinet on their movie
poster. But, however clichéd that statement may be, it’s
partially true. You see I almost turned off Lovely and Amazing after
the first few minutes. It reminded me of the trite, fake, forced recent
women empowerments like Real Women Have Curves and My Big Fat Greek
Wedding. The dialogue was cheap, the characters shallow and the directing
utterly boring.
Then I started to realize that the director was ultimately aware of
this fact. The movie began to change. It proceeded to poke fun at
and criticize the beginning part of the movie. As these characters
started actually living their lives the movie changed. Suddenly near
the utter craptacularness of the first half was very clear. In a stunning
scene in a fast food restaurant, it’s suddenly clear how much
more meaning is contained in “Are you going to finish that”
followed by “Take all you want” than a 2 minute tyraid
on the injustices of the world.
Lovely and Amazing is the story of three sisters and their mother.
Jane is a 50 year old mother of two and adopted mother of one. She’s
decided that she doesn’t like how she looks and coughs up the
$10,000 to get liposuction. Elizabeth is going on 30 and struggling
to be an actress. Her husband shows a complete lack of support or
attraction towards her. Michelle is also going on 30 however her husband
shows an almost complete blind support for her work. They have one
child together and in her spare time she makes little homemade trinkets
that she tries to sell to area art shops for rich people to buy. She
makes small chairs made of sticks, homemade wallpaper and various
other things that people never really buy. The youngest of the sisters,
Annie, is Jane’s 7 year old adopted black child. Annie is dealing
with being fat. Like a good deal of today’s youngsters she’s
just a bit overweight and having a few issues with her self image.
Her 20 year old black ‘big sister’ attempts to teach her
to swim.
Most of the story takes place as Jane’s surgery takes a turn
for the worse and she gets a fairly bad infection and starts to slip
in and out of consciousness. As a result the other sisters have to
temporarily take care of Annie. This seems to be a catalyst for change
in each of their lives. The sheer scare of their mothers death and
somehow their lovers reactions to this news seems to awaken something
inside them. Elizabeth decides to start having sex with a very attractive
and famous actor whom she was scheduled to co star with. Michelle
gets a job at a one hour photo and starts to get nasty with the 17
year son of the owner who hires her. Annie deals with it the way most
kids do, she acts out. She starts to pretend she’s drowning
and starts to wear makeup and gets her hair straightened.
There are some truly chilling scenes in the second half of the movie.
Jane starts to hit on her plastic surgeon who once seems to accept
her advances and Elizabeth has one of the oddest sexual scenes when
she asks the guy she just slept with to objectively critique her body.
Annie’s problems start to get exceptionally interesting when
people start to immediately assume that her problems stem from race.
People assume, oh there’s a black girl who has self image problems,
it must be because she is black.
The performances by these actresses are all amazing. Especially by
Catherine Keener (Michelle) of Being John Malcovik and Adaptation
fame. As a credit to themselves they somehow find an ability to capture
the shallowness in the beginning of the movie that I was completely
convinced it really was a crappy movie.
Lovely and Amazing is a story about real people. These people are
insecure about their lives. They aren’t convinced that there’s
some inner beauty about them. They see themselves as I suspect most
people do, mostly for the flaws. However, these are still very strong
women…although perhaps in a different way. They accept these
flaws somewhere along the way. They make choices in their lives. These
choices don’t always turn out the best either. At the end of
the movie there isn’t a ‘moment’. We don’t
bask in the reflective glory of these women. They make choices that
sometimes aren’t all good. When Michelle cheats on her husband
with a 17 year old kid she realizes that her child mom has never not
come home at night. If she wants to do this she has to make real sacrifices.
There’s something unique about these women. Well, at least unique
in the movie business. These women are probably closer to real people
than most anything within a 60 mile radius of LA or New York. There’s
something so refreshing in seeing a movie that doesn’t just
reject the cliché’s, but begins with them and contrasts
them with real emotion. In the end, it’s all about that conversation
at McDonalds where nothing is said.