| Based
on Nick Hornby's popular British novel, About A Boy is a comedy-drama
starring Hugh Grant as Will, a rich, child-free and irresponsible Londoner
in his thirties who, in search of available women, invents an imaginary
son and starts attending single parent meetings. As a result of one of
his liaisons, he meets Marcus, an odd 12-year-old boy with problems at
school. Gradually, Will and Marcus become friends, and as Will teaches
Marcus how to be a cool kid, Marcus helps Will to finally grow up [TRAILER]
STEVEN
SNYDER'S REVIEW
I love
lazy Sundays, lying on the couch, dreaming the day away. I lead a hectic
life and await a chance to relax.
For Will (Hugh Grant), however, everyday is a lazy Sunday. When people ask
him "So, what do you do?" his answer is never "I'm a lawyer,"
or "I volunteer," but merely, "I do nothing." And he
means it. His father wrote a popular song and Will lives exclusively off
the royalties.
He has never had to grow up. He lives alone, is set for life in the cash
department, and has few responsibilities. His only real aspiration is finding
women-whom he never really commits to either.
"About A Boy" could refer to Will. At heart, he is still very
much a child. Or, it could refer to the force behind Will's maturation-Marcus
(Nicholas Hoult). Marcus is the grade-school son of a poor mother (Toni
Collette) who meets Will through his attempt to date single women. Marcus
gets the bright, and somewhat formulaic, idea of getting Will to love his
mom and become his new dad.
"About A Boy" is based on both a novel and screenplay by Nick
Hornby, and its themes run parallel to that of "High Fidelity,"
another fantastic film based on a Hornby book. Hornby seems interested in
the immaturity of men and the forces that finally drive them to grow up.
In Will's case, Marcus' affections make him realize the emptiness of his
life.
While "About A Boy" is undoubtedly a comedy, I was impressed at
the seriousness of the story and the film's ability to handle conventional
developments in an original style.
Consider, for example, Marcus' attempt to hook his mother up with Will.
In a traditional movie, this would be out of Marcus' desire to see his mother
happy and feel love. In "About A Boy," Marcus' mother is poor
and he shrewdly realizes Will's financial stability and the monetary benefits
of having him as a stepfather.
In another scene, Will's attempt to help Marcus be "cool" at school
by buying him designer shoes does not end with Marcus being the envy of
his peers, but instead with the shoes getting stolen.
Time after time, "About A Boy" shows an ability to deal with conflicts
and issues in an extremely mature and unexpected way. Even the subjects
that are addressed, from class envy to suicide, seem more grown-up than
one would expect from a mainstream Hollywood comedy.
Hugh Grant must be given credit then for bringing a perfect balance of comedy
and drama to the screen. He has played the smirking Englishman before, but
in "About A Boy" he successfully brings Will's conflicting existence
into focus. He is a man caught in a carefree lifestyle who realizes mid-sentence
in discussions with a date that he has truly accomplished nothing, has little
to live for and has even less to offer another.
The film's one gaping flaw is that in the end, as Will takes the plunge
towards empathy, "About A Boy" opts for a conventional climax.
After all the tough decisions and gutsy rhetoric, the film insists on a
wrapping up the project with a pretty pink bow.
While audiences won't care because these characters have paid their dues,
it surely reduces "About A Boy" from a notable film to the level
of a good date movie.
I still respect it though for its unsentimental progression. This movie
is about people talking, making decisions, and growing from their experiences.
For Will, it is about learning there is more to care about than Xena reruns
on lazy Sundays. Once outside the bubble of college, I'm sure I'll learn
the same lesson.
 (out
of 4)
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